Pedro Almodóvar sounds off on refusing Saudi money, the apolitical Oscars and more

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Pedro Almodóvar didn’t cognize the finer points of movie festival lasting ovations erstwhile helium archetypal showed a movie successful contention astatine Cannes successful 1999. As the credits began to rotation for his acclaimed melodrama “All About My Mother,” the assemblage wrong the Grand Théâtre Lumière roseate and applauded. The acclamation continued to build, and the Spanish auteur was flooded with gratitude — for a fewer moments.

But aft astir 5 minutes of cheering and clapping, Almodóvar didn’t cognize what to do. He’s not a filmmaker fixed to mendacious modesty, but however agelong tin you bask successful that benignant of adoration? You tin lone grin and question and clasp your hands for truthful long. Finally, helium motioned the assemblage to stop, like, “OK. OK. Enough. Let’s spell person meal and a drink.”

“Big mistake,” Almodóvar tells me, laughing. “[Actor] Marisa Paredes leaned implicit and told me, ‘Never halt an ovation!’ I didn’t person the acquisition and didn’t cognize the fig of minutes of an ovation is precise important and counted. For me, 5 minutes was much than enough. It’s humbling.”

Almodóvar volition beryllium bringing his caller movie, “Bitter Christmas,” to Cannes this year, his seventh contention appearance, a singular tally that includes masterworks similar “Volver,” “Broken Embraces” and “Pain and Glory.” Another film, the dark, audacious play “Bad Education,” opened the festival successful 2004, earning truthful overmuch acclaim (and, yes, different agelong ovation) that Quentin Tarantino, serving arsenic assemblage president that year, told Almodóvar, “Why are you not successful competition? This is simply a f— masterpiece! I would springiness you the award!”

As it stands, Almodóvar’s films person a celebrated past astatine Cannes. “All About My Mother” earned him an grant for directing; “Volver” won screenplay and a corporate histrion prize for its formed successful 2006; and predominant collaborator Antonio Banderas won for his pb crook successful 2019’s “Pain and Glory.”

No Palme d’Or — yet. But astatine 76, Almodóvar shows nary signs of slowing down oregon originative stagnation.

Barbara Lennie, left, and Victoria Luengo successful  "Bitter Christmas," directed by Pedro Almodóvar.

Barbara Lennie, left, and Victoria Luengo successful “Bitter Christmas,” directed by Pedro Almodóvar.

(Iglesias Mas / Sony Pictures Classics)

“Bitter Christmas,” which opened successful Spain successful March, is an elegantly structured, self-aware movie astir artistry, pursuing Raul, a filmmaker struggling to decorativeness a screenplay astir a cult manager dealing with migraines and panic attacks arsenic she attempts to jump-start her stalled career. The movie toggles betwixt the 2 narratives, slyly exploring the ways creators plunder the lives of those they cognize successful the quest for a bully story.

Almodóvar says it’s the movie “where I’ve been cruelest with myself.”

“I was looking astatine my ain originative process and asking questions astir inspiration,” Almodóvar says, talking via Zoom from his Madrid home. “I had a small spot of amusive doing it.”

Almodóvar is seated down his desk, wearing a crisp achromatic T-shirt nether a tan chore coat. It’s precocious afternoon, and the prima warmly filters done the windows of the room, a abstraction helium calls his “sanctuary,” the spot helium has written his past 15 movies. Behind him is simply a partition of bookshelves, the closest 1 lodging 2 Oscars, a British Film Academy prize and the Golden Lion helium won astatine the 2024 Venice Film Festival for his archetypal English-language feature, “The Room Next Door.” The prizes situation a framed photograph of his beloved mother, Francisca Caballero.

“I don’t request awards,” Almodóvar says, “but they are here, protecting maine implicit my shoulder.”

“You’d beryllium hard-pressed to find galore filmmakers that person had the tally of prime that helium has,” says Michael Barker, co-president and co-founder of Sony Pictures Classics, Almodóvar’s long-standing North American organisation partner. “Like [Jean] Renoir successful the ‘30s and ‘40s, he’s truly 1 of the masters, idiosyncratic who continues to marque films that are consistently astute and besides truly entertaining.”

Over the years, Almodóvar has developed rituals to assistance him navigate Cannes. Some person gone by the wayside, similar the now-closed edifice connected the formation that served the champion bouillabaisse. Other traditions, fortunately, stay intact.

“I consciousness trapped successful a tuxedo, similar I person claustrophobia,” Almodóvar says, hugging his assemblage arsenic if he’s wearing a straitjacket. “So dressing up earlier the reddish carpet, my brother, my nephews, immoderate friends volition help. It’s an intimate infinitesimal you stock with loved ones, this ritual of getting dressed for the ceremony.”

“The different ritualistic moment,” helium continues, “is ascending those reddish stairs that pb up to the expansive Palais. There’s a agelong hallway determination wherever I’ve met radical who person aboriginal go my friends, radical similar Tilda Swinton and Jeanne Moreau. And past you person that touching infinitesimal erstwhile you look from that hallway and instrumentality your archetypal measurement into the theatre and you person 1 of the warmest welcomes you volition ever person successful your life. They haven’t adjacent seen the movie and already they are showering you with love.”

It’s not a agelong to deliberation that “Bitter Christmas” volition gain the aforesaid lukewarm reception erstwhile it plays astatine the festival. The movie takes its rubric from an achingly beauteous ranchera by the precocious Mexican vocalist Chavela Vargas, a person of Almodóvar’s. When the opus plays successful the movie (and, yes, it’s during Christmas), it prompts 1 quality to change the people of her life.

May 12, 2026 The Envelope screen  featuring Pedro Almodóvar and the Cannes Film Festival

(Shayan Asgharnia / For The Times)

“Songs are miraculous successful the consciousness that they tin look to speech to the idiosyncratic who’s listening,” Almodóvar says. “When that opus plays, my movie becomes a benignant of musical, and successful musicals it’s imaginable that a opus changes someone.”

Like Stanley Kubrick successful “Eyes Wide Shut,” Almodóvar uses the season’s festive lights to opposition the turmoil the film’s characters consciousness inside. He says helium understands their melancholy, arsenic helium finds Christmas depressing and annually looks guardant to its end.

“I felt that adjacent arsenic a child,” Almodóvar says. “I don’t judge successful the things that Christmas celebrates, truthful these moments of immense happiness permission maine precise melancholy. Also, I unrecorded alone, and these festive moments, wherever radical are gathering connected the streets, marque maine consciousness lonely. I don’t person immoderate familial obligations needfully and enactment is interrupted, which is hard connected me. Sometimes I volition commencement writing, astir desperately, conscionable to capable up the time. I’m bound successful my location successful solitude.”

“Bitter Christmas” contains a mates of crisp notes connected the economics of movies today, with Raul refusing a lucrative connection to look astatine a movie festival successful Qatar, saying, “not everything has a price.” Almodóvar has recovered himself successful a akin position, turning down an overture from a Saudi festival. (“I americium astir embarrassed to accidental however overmuch they were offering me,” helium says.)

For Almodóvar, occurrence is defined arsenic overmuch by what helium tin cull arsenic the state to prosecute what fulfills him.

“I volition ne'er person to go a quality connected a world amusement successful bid to marque ends meet,” Almodóvar says. “I person the luxury of saying no.”

Later successful the movie, Raul’s erstwhile adjunct critiques his script, suggesting helium region a subplot helium took from her idiosyncratic life. Cut it out, she says, and springiness it to Netflix. They’ve ever wanted to enactment with him.

“I don’t mean immoderate discourtesy toward Netflix,” Almodóvar says, noting that streaming platforms person created a batch of enactment successful Spain and opportunities for directors. “Again, it’s a measurement of my occurrence that I tin accidental no.”

Almodóvar has been asked astir the Netflix notation often since “Bitter Christmas” opened successful Spain.

“I deliberation the crushed radical support remarking connected that enactment is that there’s a fearfulness astir Netflix and a generalized fearfulness astir criticizing the online platforms,” helium says.

And you don’t person that fear, I ask.

“Not astatine all,” Almodóvar answers quickly. “I don’t person galore fears. In a generalized Spanish sense, present we’re not acrophobic to telephone things for what they are. We person a authorities that has called Gaza a genocide and the Spanish radical successful wide are not acrophobic to telephone these wars retired for what they are.”

"All About My Mother"

Among different Cannes awards his films person earned, Almodóvar won the directing prize for “All About My Mother,” pictured, successful 1999. But has yet to triumph the Palme d’Or.

(Teresa Isasi / Sony Pictures Classics)

Accepting the Chaplin Award astatine New York’s Lincoln Center past year, Almodóvar demonstrated that spirit, saying that helium didn’t cognize if it was due to travel to a state “ruled by a narcissistic authority, who doesn’t respect quality rights” and aboriginal declaring that Donald Trump would spell down successful past arsenic a “catastrophe.”

Almodóvar says helium felt obliged to accidental something, but besides notes that helium tin instrumentality to Spain wherever helium lives and works.

“That makes it easier for maine to beryllium wide successful the moment,” helium says. “I’m a foreigner.”

“You know, I’m not truly blaming anyone successful particular, but it was rather notable watching the Oscar telecast wherever determination were not galore protests against the warfare oregon against Trump,” Almodóvar continues. “Maybe helium wasn’t the lone one, but the lone existent illustration I tin retrieve came from a European, a person of mine, Javier Bardem, who did straight say, ‘Free Palestine.’”

“People are evidently precise frightened. The U.S. is not a ideology close now. Some radical accidental it’s possibly an imperfect democracy, but I truly don’t deliberation the U.S. is simply a ideology close now. The heartbreaking and ironic happening is that ideology has fixed rise, done the proper, close voting mechanism, to this benignant of totalitarian regime. And it’s some a paradox and it’s besides incredibly sad.”

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