If you inquire Sean Baker which grant helium cherishes the astir — the 4 Oscars helium won for writing, directing, producing and editing the 2025 champion representation victor “Anora” oregon the Palme d’Or helium took astatine the Cannes movie festival 10 months earlier — you’d request to person a sizeable magnitude of patience arsenic you hold retired the agelong intermission arsenic helium considers the question.
C’mon ... however bash you choose?
The Cannes prize started the momentum for Baker’s chaotic Cinderella story. I’m describing the movie, though since Baker had ne'er earned a azygous Oscar information during his celebrated career, it could besides picture his ain travel to the Oscar grounds books.
“Winning the Palme was surreal and breathtaking beyond belief,” Baker told me. “You look astatine the films and the filmmakers who person won that prize implicit the years, and it blows your mind. There’s a crushed Cannes is considered the astir prestigious movie festival successful the world. It’s inactive hard to process that we really won.”
Mark Eydelshteyn and Mikey Madison successful Palme d’Or and Oscar victor “Anora.”
(Neon)
“Anora” was the 2nd Palme d’Or victor to triumph the champion representation Oscar successful a five-year stretch, pursuing Bong Joon Ho’s acclaimed 2019 deed “Parasite,” the archetypal non-English-language movie to triumph question representation academy’s apical prize.
The Cannes-to-Oscars pipeline continued this twelvemonth with Joachim Trier’s household play “Sentimental Value” and Kleber Mendonça Filho’s governmental thriller “The Secret Agent” making the champion representation chopped and “It Was Just an Accident” and “Sirât” each earning 2 nominations.
Only “Sentimental Value” came distant with an Oscar, but Cannes could inactive boast that it led each festivals with 19 nominations. Movies premiering astatine Venice picked up 15, portion 2 different autumn festivals, Telluride and Toronto, mostly programmed the Cannes features, alongside films that didn’t onshore with voters. (Telluride did premiere “Hamnet,” which netted 8 nominations and a triumph for pb histrion Jessie Buckley.)
Those nominations numbers continued the displacement that has been taking spot the past respective years arsenic Cannes has supplanted the autumn movie festivals arsenic the lawsuit with the astir sway astatine the Academy Awards.
How did this happen?
Cannes didn’t change. The Oscars did.
It started with the 2018-19 awards play erstwhile Alfonso Cuarón’s “Roma” — a Cannes enactment earlier the festival introduced a regularisation requiring each films successful contention to person a theatrical merchandise successful France — and Paweł Pawlikowski’s “Cold War” became multi-category Oscar contenders. Both were distributed by streamers: Netflix had “Roma,” Amazon “Cold War.”
With that success, streamers became anxious to walk large to pursuit the prestige that comes with the Academy Awards.
At the aforesaid time, the question representation academy was tweaking its rules for determining the shortlist for the planetary diagnostic award, opening voting to much members. That coincided with the influx of caller voting members surviving extracurricular the United States arsenic the academy diversified its ranks successful the aftermath of the #OscarsSoWhite societal media campaign. (Twenty-four percent of Oscar voters present unrecorded extracurricular the U.S.)
So erstwhile “Parasite” won the champion representation Oscar successful 2020, the confluence of these factors turned the world’s astir important movie festival into the champion launchpad for a movie with awards aspirations.
Cannes created the Palme d’Or successful 1955, replacing the verbosely worded “Grand Prix of the International Film Festival” grant that was fixed to directors. The archetypal Palme winner, “Marty,” a romanticist play starring Ernest Borgnine arsenic a lonely, middle-aged butcher longing for love, won the Oscar for champion picture. (Borgnine took pb actor.)
It took different 64 years for that to hap again, erstwhile “Parasite” prevailed astatine the Oscars.
Cannes’ precocious outpouring day gives movies playing determination a caput commencement successful gaining the attraction of awards voters and movie critics. The playbook this decennary has been to premiere astatine the festival successful May, marque a splash and past instrumentality successful the autumn to Telluride, Toronto and the New York Film Festival for a 2nd question of publicity.
“Essentially, you’re conscionable lengthening the ramp, which with planetary films truly helps enactment these movies connected the radar,” says a seasoned awards consultant, who, due to the fact that of imaginable lawsuit conflicts, asked to talk anonymously. “By the clip ‘Sentimental Value’ landed astatine New York, it had already played astatine Cannes and Telluride. People were talking astir it from May to September.”
Renate Reinsve, left, and Inga Ibsdotter Lilleaas successful “Sentimental Value,” a 2025 Cannes premiere that went connected to triumph this year’s Oscar for planetary feature.
(Kasper Tuxen)
Awards hopefuls from planetary auteurs, including Pedro Almodóvar’s tragicomedy “Bitter Christmas,” Ryusuke Hamaguchi’s French-language play “All of a Sudden” and Pawlikowski’s “Fatherland,” his long-awaited follow-up to “Cold War” starring Sandra Hüller, volition purpose to duplicate that occurrence this year.
At past year’s Cannes, indie workplace Neon, the institution down “Parasite” and “Anora,” bought “It Was Just an Accident” (which won the Palme), “The Secret Agent” and “Sirât,” each of which went connected to beryllium nominated, alongside “Sentimental Value” (another Neon film) and “The Voice of Hind Rajab” (a Venice premiere) for the planetary diagnostic Oscar. It besides purchased the French animated movie “Arco,” which earned an Oscar information for animated feature.
One awards campaigner believes — and helium prefaces this by saying radical deliberation he’s nuts for saying this — that the advent of substance messaging arsenic the predominant mode radical pass has led to radical being much comfy with subtitles.
“We’re perpetually speechmaking our communications,” helium says. “We’re watching English-language movies and shows with the subtitles on. That was ne'er the lawsuit a fewer years ago. Subtitles are portion of our lives now.”
And, much than ever, truthful are the movies playing astatine Cannes.

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